Both Martins and Ebouaney have a formidable screen presence, and Martins has one hell of a great exit where he truly goes down fighting. The acting is good for this sort of thing. Still, as in any film with a similar premise, there is a certain amusement in seeing cops and crooks alike being forced to team up in order to survive - and, as we can see, the crooks aren't completely one- dimensional. The characters, by and large, are NOT sympathetic, including the cops, so the lack of rooting interest may make this hard for some people to follow. Some zombie cinema lovers may take exception to the fact that these are very FAST zombies, as well as to the generous array of digital rather than practical carnage, but if you don't concern yourself too much with those elements, you may find this a reasonable viewing experience. It starts quietly enough, but soon it's kicked itself into a high gear and has stayed there. While this is all pretty predictable in terms of the script, 'La Horde' does manage to entertain by ensuring that its audience never gets bored. Unfortunately, things don't go as planned: first, their quarry, gangster Adewale (Eriq Ebouaney), is able to get the drop on them, and start torturing them, then this big mess becomes an even bigger one when scores upon scores of the living dead start to overwhelm humanity, as the apocalypse seems to have begun. (Not that it skimps in the gore department at all, though, far from it.) A quartet of detectives - Aurore (Claude Perron), Ouessem (Jean-Pierre Martins), Jimenez (Aurelien Recoing), and Tony (Antoine Oppenheim), find the dead body of a colleague and turn rogue, vowing to avenge his death. It benefits from its breakneck pace and intensity, and is just as much about character as it is bloodshed. The French film 'La Horde' doesn't exactly bring a fresh approach to the over saturated zombie genre, yet is still entertaining enough for what it is.

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